Pages

Thursday, May 17, 2012

Anthony and Walt's Scripts

BLACKOUT SCRIPT
BY WALTER & ANTHONY


Location Luxurious house





Yung Neno(Rubbing face)
Damn what the……..

(Sexy model rolls over and grabs neon grunting and sleep talking)

Yung Neno( Looking at the model)
I stay with a bad girl or lol and the best part is that they speak no English.


(Rubs the face of the model)

Yung Neno
 Same Ol shit just a different day(laughs)
As long as im getting this money though nothing else matters,

(Telephone starts to ring-Juelz Montana calling)

Yung Neno (stares at the phone)
Whats going on bro why on bro why you up so early?

(Facial expression drops)

Yung Neno
Whats good is it time to get this money?

(Rubs hands together)

Yung Neno
Lets talk money, wassup








BLACKOUT SCRIPT


Location scene 2
Luxurious house/ to mall/ in transition to Juelz Montana



Juelz Montana
There is a new drug lord in town.

Yung Neno
O really, so what do you want to do

Juelz Montana
I think we should pay him a visit and show him who really runs this town

Yung Neno
You know I'm always down and tryna get this money elz all you have to do say the word my G and I'm there.

Juelz Montana
I want the money and the bricks...We need bait though maybe we should pay a visit to an old friend of yours, you know you have your way with the women

Yung Neno
You know me o so well don't you

Juelz Montana
This isn't a fucking game Neno I want this fucking money!

Yung Neno
Game isn't in my blood when it comes to this money but when it comes to these hoes I got it

Juelz Montana
 Just set it up I'm sure u know the right hoe to call to open her legs up for him.

Yung Neno
YeaH I got the perfect one, I'm on my way to your spot right now so we can go pay my friend a visit.

Juelz Montana
Good drop the playmate off don't bring her with you.






BLACKOUT SCRIPT

Location scene 3 strip club 

Yung Neno
Ahhhhhh my home away from home where the good stuff can be earned for free

Juelz Montana
And that is?

Yung Neno
You know phone numbers, pussy, stds

Juelz Montana
The fuck

Yung Neno
I'm fucking with you lets go see where this hoe at, you ready?

Juelz Montana
Lets do this

Yung Neno
Let's ride

(Walks through strip flirting with women/ evil eyeing new drug lord/ arrives to Nina Cartagena )

Yung Neno
I see you still know how to pop that pussy nina (smiles)

Nina Cartagena
I see you still know how to work that tongue Neno

Yung Neno
Well maybe if you spread your legs my tongue will take you for a ride.

Nina Cartegena
mmmmmhmmm babyyyy

Juelz Montana
Enough with the bullshit y'all can fuck after we talk business

Scene 3 continued


Nina Cartagena
Well let's hurry up n talk( winks at Neno )

Juelz Montana
what do you know about our new friend out there

Nina Cartagena
He is rich ,he has bricks and a lot of guns and his name Leo'nelli Ferrari

Juelz Montana
That's all I need to know... Leo 'Nelli Ferrari welcome to my town (looks at Neno and Nina) fuck I'm outta here y'all two have tension y'all need to release

Yung Neno
I think we do









 BLACKOUT SCRIPT

Location trap house/ in transition to Leo 'Nelli Ferrai Mansion

Juelz Montana
Listen up I think its time that we pay our friend Leo'Nelli a visit. Today is the day that we show this cocky ass son of bitch why you don't move in on our town.

Stackz Bundlez
Just say the word boss I'm ready to take a ma fuckas head off

Yung Neno
 Let's get this money man I'm hungry for it I crave this shit

Nina Cartagena
 Yeah let's

Juelz Montana
 Shut the fuck up bitch,grown men are talking, the plan is ...we Send the bitch in first so she can open her legs so I can get my fucking money ...then while he's having play time with the trick .....we run in on him

Yung Neno
 Fuck all this talking let's get this money

(transition to Leo 'nelli ferraris mansion)

Nina Cartagena
 Hey baby so are you ready for your Colombian special (smacks her ass)

Leo'nelli (while sniffing coke )
 Hurry up sweetheart its a business day as always for me

Nina Cartagena
 You got it daddy

(Rushes in the room after a couple of minutes)

Yung Neno
 Wassup pussy!





BLACKOUT SCRIPT
Scene 4 continued

Leo Nelli
What the fuck is this who the fuck are you!

Juelz Montana
 Don't worry bout who the fuck we are, I want this money and I want these bricks

Stacks Bundlz
 And if u talk stupid I'm taking your fucking head off

Leo' Nelli
So you come into my house disrespecting me and you want my money and you want my coke! hahaha u silly fucking cocka roaches I run this town me Leo Nelli Fucking Ferrari

Juelz Montana
 No, I run this shit give me the bricks and money now!

Leo Nelli ( sniffs alot of coke)
Come get it from my dead fucking body.

Juelz Montana
With pleasure


(GUN GOES OFF)

Walker Team Scripts

Script - He Loves Me - 1 Person

Script - My House, My Rules - 2 Person

Script - Who Dat - 3 Person

Script - Let Him Go - 4 Person

Thursday, May 10, 2012

Angelica: Cuts
http://www.youtube.com/watch?v=i6iGcJMv8O0
Sage Stationary

http://www.youtube.com/watch?v=61g-aHuthJE

Nathan Multi-Shot

http://www.youtube.com/watch?v=5OmS0KG6ils

Bryan and Davonte' four person directing

Stationary

http://www.youtube.com/watch?v=xmlG_8ovcIU&list=UUfFpMeI_3pBvDx5LOdR3gEQ&index=1&feature=plcp

Cuts

http://www.youtube.com/watch?v=q_LjnWT4zYo&feature=relmfu

Thursday Night Play

Thursday Night, May 18 the Stage Works Theater is presenting:
Neil Simon's
Biloxi Blues

You must be there by 7:30 to get the reduced rate tickets
the tickets are $12 at the door.
They are normally $25 But I worked a deal.

Attendance to this event satisfies your play assignment, with the write up of course.
This is not a substitution for the class and is not an AI field trip.
This is your best opportunity to see a play and do your assignment- 
Don't do this and you are on your own!!!

**REMEMBER- GET THERE EARLY**


Address: 
1208 E Kennedy
Tampa, Fl 33602 

FOR MORE INFO SEE 

PLAY ASSIGNMENT


ACTING AND DIRECTING- GREG LESAR

PLAY ASSIGNMENT 10%


The purpose of this assignment is for you to go into the world and view a professional play.  Theater holds the roots of all forms of performance from Greece to Shakespeare and beyond.  All actors come from the theater, this is where you find and connect with the emotional context and roots of an actor’s performance.  

Do This: Do your research and find a play to attend.  Most plays today cost the same as a movie ticket.  Search the Arts and Entertainment sections of *TBT or Creative Loafing (local magazines).  Do your research- try supporting the people on The Tampa Bay Actor’s directory by going to a play that they perform in.


Get there early, get a program.  Get a feel for the environment, get there early to get a good seat.  Observe your surroundings, you are going as a director, a field researcher, and an observant audience member.  Observe the play from a technicians POV, watch how the actors block themselves on the stage, notice emotional cues, lighting cues, scene cues and the director’s perspective.


Write it up.  Make a 3-5 page document detailing your experiences, your reflections, and your deepening understanding of the actor’s process on stage.  Use what you have learned a gaining deeper insight upon your quest as a filmmaker and as a director.  Let this help you as a director and as a filmmaker.

Who knows- you might meet actors there that you will work with later.

THIS IS DUE WEEK 11- DO NOT DO THIS AND YOU WILL SUFFER INTELLECTUALLY.  MUST BE PRINTED OUT AND MUST BE SUBMITTED TO THE BLOG.  MUST HAVE COHERENCE, PERFECT SPELLING AND GRAMMAR. 



Thursday, May 3, 2012

NEW SCHEDULE

This is the new schedule that we discussed in class week 5.

What is due after Midterms

Play Project- 10%
        This project is due by Week 11 at 6PM

Original Script- 10%

4 original Scenes- 40%

DUE
Week 6 [midterms]  4 person N/NW scene
Week 7 Scripts are due on this blog by MIDNIGHT
Week 8 Scene Due
Week 9 Scene Due
Week 10 Scene Due
Week 11 Scene Due- Last Day to Post Play Project

Starting Week 8 you must post the links to the 2 videos of your original scene as both a static shot, and cuts scene.  You will not get credit if we do not screen your new material each class.


Sage and Nate

Multi Shot


Stationary 

Team LegitS Project #3

Single Shot
http://www.youtube.com/watch?v=J-R5wCwFRIk


Multi-Shot
http://www.youtube.com/watch?v=3SoWXpW5dWQ&feature=youtu.be

Directing Assignment #4


Assignment #4 Hitchcock 4 Person Scene 10%
This assignment is about using what you've learned in the class exercise and putting it into action.

1 Contact the actors you wish to work with and schedule shoot.
2. Discuss with the actors what you have identified as the emotional beats.
3. Pick a space where filming can be comfortable wand without distraction.
4. Practice and rehearse the scene 4-6 times before filming (between rehearsals discuss them)
5. Shoot 3-5 takes of the scene.

Each team is responsible for 2 videos.  The first is the scene using a stationary camera.  The second is the same scene organized into cuts.

Each student in the team will direct one of the 2 videos.

SUBMISSION

Post your 2 videos to the YouTube account.
Post THE LINK of the YouTube video to this blog by creating a New Post- just copy and past the links.

These 2 posts are due next week May 10 by 6:00 pm.  Your group will not receive credit if we do not view your material in the class.  You MUST always give credits to actors and crew.
CLASS 4 Four Person Scene EXERCISE
The purpose of this exercise is to identify the emotional beats of the N/NW 4 Person Scene and practice in-class framing and blocking methods.

Do This:

Work in groups of 6 people.
Identify the emotional beats of the Four Person Scene.
Direct the Scene that you printed using the people in your group
After each 'take' discuss with the actor.

Use the on-set protocol of calling the scene each time you rehearse. 

Play this scene 2 ways-
    1- stationary camera- set up your frame and move the character within it
    2- shot design- consider directing the actor within 'shots' of the scene


Bryan and Davonte Three Person Directing

One Shot

http://www.youtube.com/watch?v=rlqhpBhqFFk&feature=relmfu

With Cuts

http://www.youtube.com/watch?v=dGMQkYcURgo&list=UUfFpMeI_3pBvDx5LOdR3gEQ&index=2&feature=plcp

Thursday, April 26, 2012

Team Legit Project # 2

Single Shot
http://www.youtube.com/watch?v=Q5WfQKLmYxo



Week 4


Assignment #3 Hitchcock 3 Person Scene 10%
This assignment is about using what you've learned in the class exercise and putting it into action.

1 Contact the actors you wish to work with and schedule shoot.
2. Discuss with the actors what you have identified as the emotional beats.
3. Pick a space where filming can be comfortable wand without distraction.
4. Practice and rehearse the scene 4-6 times before filming (between rehearsals discuss them)
5. Shoot 3-5 takes of the scene.

Each team is responsible for 2 videos.  The first is the scene using a stationary camera.  The second is the same scene organized into cuts.

Each student in the team will direct one of the 2 videos.

SUBMISSION

Post your 2 videos to the YouTube account.
Post THE LINK of the YouTube video to this blog by creating a New Post- just copy and past the links.

These 2 posts are due next week May 3 by 6:00 pm.  Your group will not receive credit if we do not view your material in the class.  You MUST always give credits to actors and crew.
CLASS 4 Three Person Scene EXERCISE
The purpose of this exercise is to identify the emotional beats of the N/NW 3 Person Scene and practice in-class framing and blocking methods.

Do This:

Work in groups of 6 people.
Identify the emotional beats of the Two Person Scene.
Direct the Scene that you printed using the people in your group
After each 'take' discuss with the actor.

Use the on-set protocol of calling the scene each time you rehearse. 

Play this scene 2 ways-
    1- stationary camera- set up your frame and move the character within it
    2- shot design- consider directing the actor within 'shots' of the scene

Davonte and Bryan Two person direction

http://www.youtube.com/watch?v=oIWdYdloDG8&list=UUfFpMeI_3pBvDx5LOdR3gEQ&index=1&feature=plcp

http://www.youtube.com/watch?v=Z7qkwaLtRnU&feature=relmfu

Walkers Project 2

Project 2 Single Shot

Project 2 Multi Shot